THE HARMONY OF JAZZ AND POP PIANO PERFORMANCE
DOI :
https://doi.org/10.5281/zenodo.18439135Mots-clés :
jazz piano, pop piano, improvisation, harmony, rhythm, performance style, stylistic synthesis, modern piano performanceRésumé
This article analyzes the issue of the harmony of jazz and pop piano performance from a theoretical and practical perspective. In addition, the expression of the main features inherent in jazz piano, such as improvisation, harmonic thinking, rhythmic freedom and freedom of performance, in pop piano performance is highlighted. Also, the stylistic synthesis that occurs in piano performance as a result of the mutual integration of jazz and pop music, the formation of an individual performance style and the expansion of artistic expression possibilities are substantiated
Références
Браун М. Джазовая импровизация: теория и практика. – СПб.: Композитор, 2004. – 198 с.
2.Головин С. А. Эстрадная музыка: теория и практика исполнительства. – М.: Академия, 2010. – 240 с.
3.Крамер Р. Фортепиано в джазе. – М.: Музыка, 1997. – 176 с.
4.Нечаев В. Н. Эстрадное исполнительство и музыкальная культура. – М.: ГИТИС, 2012. – 214 с.
5.Gridley M. Jazz Styles: History and Analysis. – Boston: Pearson, 2016. – 512 p.
6.Kernfeld B. The New Grove Dictionary of Jazz. – London: Macmillan Press, 2002. – 1350 p.
7.Martin H. Jazz: The First 100 Years. – Boston: Cengage Learning, 2017. – 528 p
Téléchargements
Publiée
Numéro
Rubrique
Licence
Ce travail est disponible sous la licence Creative Commons Attribution 4.0 International .
By submitting a paper to the conference organized by Academic Publishing House, the author(s) agree to the following license terms and conditions:
1. Copyright and Licensing
- The author(s) retain the copyright of their article.
- The author(s) grant Academic Publishing House a non-exclusive license to publish, distribute, and archive the submitted material in both electronic and print formats.
- The work will be published under the Creative Commons Attribution (CC BY 4.0) license, allowing others to share and adapt the material for any purpose, provided proper credit is given to the original author(s).
2. Author’s Responsibilities
- The author(s) guarantee that the submitted work is original, does not infringe any existing copyrights, and has not been published or submitted elsewhere.
- The author(s) confirm that all co-authors have approved the final version of the manuscript and agree with its submission and publication.
- The author(s) are fully responsible for the accuracy of the data, citations, and references provided in the article.
3. Publisher’s Rights
- Academic Publishing House reserves the right to edit, format, and make minor grammatical or layout corrections to the paper without altering its core content.
- The publisher has the right to include the article in indexing databases, archives, and repositories such as Google Scholar, Zenodo, OpenAIRE, and other partner platforms.
- The publisher may promote the paper through its website and official social media channels.
4. Open Access Policy
All conference papers are published as open access, ensuring free and permanent online access to the full text of all articles immediately upon publication.
5. Withdrawal and Retraction
If ethical misconduct, plagiarism, or data manipulation is detected, Academic Publishing House reserves the right to withdraw or retract the publication at any stage.
6. Acceptance of Terms
Submission of a manuscript to the conference implies that the author(s) have read, understood, and accepted these License Terms.
