TRAUMA, POSTMEMORY, AND SYMBOLISM IN COLUM MCCANN’S “LET THE GREAT WORLD SPIN”
DOI :
https://doi.org/10.5281/zenodo.17631128Résumé
This article examines how Colum McCann’s novel Let the Great World Spin functions as a mediator of traumatic experience transmitted across generations. Focusing on the representation of the Vietnam War and the symbolic centrality of Philippe Petit’s tightrope walk between the Twin Towers, the study explores how individual and familial traumas are transformed into forms of collective and cultural memory. The analysis draws on Cathy Caruth’s concepts of latency, repetition, and the belated nature of traumatic experience, as well as Marianne Hirsch’s theory of postmemory, in particular her notion of affiliative postmemory and visual testimony.
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