КОНЦЕПЦИЯ СУДЬБЫ В ПРОИЗВЕДЕНИЯХ СОВРЕМЕННОЙ КОРЕЙСКОЙ ЛИТЕРАТУРЫ (ХЁН ДЖИНГОН «РИКША
DOI:
https://doi.org/10.5281/zenodo.19033647Аннотация
В статье рассматривается художественная концепция судьбы в корейской прозе начала ХХ века на материале рассказа Хён Джингона «Рикша» («Удачный день»), созданного в русле эстетики так называемой «школы нового направления». Анализ опирается на историко-литературный и поэтико-философский подходы и направлен на выявление соотношения социального и онтологического уровней художественного конфликта.
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