КОННАТАЦИИ РЕКВИЕМА В РАССКАЗЕ АННЫ ДОЛГАРЕВОЙ «Я ЗДЕСЬ НЕ ЖЕНЩИНА, Я ФОТОАППАРАТ. ФРОНТОВЫЕ ДНЕВНИКИ»
DOI:
https://doi.org/10.5281/zenodo.19033474Аннотация
Русская литература в XXI веке развивается в совершенно новой системе художественных парадигм. Рассказ современной российской писательницы Анны Долгаревой «Я здесь не женщина, я фотоаппарат. Фронтовые дневники» посвящен теме войны, в котором синтезированы различные стили и жанры, такие, как биографизм, кинематографичность, с использованием приемов, характерных для кино, динамичным повествованием, монтажными композициями, «кадрами», нон-фикшн.
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