SOCIO-PHILOSOPHICAL VIEWS AND ARTISTIC THINKING IN ANBAR OTIN’S CREATIVE WORK
DOI:
https://doi.org/10.5281/zenodo.18280084Abstract
This article presents a scholarly and theoretical analysis of the life and creative heritage of Anbar Otin, one of the prominent female representatives of nineteenth-century Uzbek literature. The poetess’s socio-philosophical views, enlightenment ideas, Sufi worldview, and her artistic position as a female author are examined in detail. The expression of women’s freedom, moral perfection, social justice, and human virtues in Anbar Otin’s works is analyzed through poetic language, symbolic imagery, and Sufi terminology. The study is based primarily on the work “Falsafayi Siyohon” and the poetess’s poetic legacy, determining their role in the development of Uzbek literature. The results of the research contribute to revealing the artistic, aesthetic, and spiritual significance of Anbar Otin’s creativitys.
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