SHAKESPEARE'S WOMEN: BETWEEN POWER AND SUBMISSION

Authors

  • Maxmanazarova Muxlisa Abduvoxob qizi Автор

DOI:

https://doi.org/10.5281/zenodo.17312484

Abstract

This article examines the complex representation of female characters in William Shakespeare's plays, analyzing the dichotomy between power and submission that defines their existence within patriarchal Elizabethan and Jacobean societies. 

 

References

1.Dusinberre, J. (1996). Shakespeare and the Nature of Women. Macmillan Press.

2.Kahn, C. (1981). Man's Estate: Masculine Identity in Shakespeare. University of California Press.

3.Neely, C. T. (1985). Broken Nuptials in Shakespeare's Plays. Yale University Press.

4.Bakhtin, M. M. (1981). The Dialogic Imagination: Four Essays. University of Texas Press.

5.Garber, M. (1992). Vested Interests: Cross-Dressing and Cultural Anxiety. Routledge.

6.Jardine, L. (1983). Still Harping on Daughters: Women and Drama in the Age of Shakespeare. Harvester Press.

7.Paster, G. K. (1993). The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England. Cornell University Press.

8.Rackin, P. (2005). Shakespeare and Women. Oxford University Press.

9.Adelman, J. (1992). Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare's Plays. Routledge.

10.Erickson, P. (1991). Rewriting Shakespeare, Rewriting Ourselves. University of California Press.

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Published

2025-10-10

Issue

Vol. 1 No. 1 (2025): International Conference on Culture & History (ICCH)

Section

Articles

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How to Cite

Maxmanazarova, M. (2025). SHAKESPEARE’S WOMEN: BETWEEN POWER AND SUBMISSION. International Conference on Culture & History, 1(1), 10-13. https://doi.org/10.5281/zenodo.17312484